Synergy and its web of lyrical deceit
Synergy is an important strategy as it facilitates, with its flexible style of maximizing commercial influence while segmenting creative variety, the growth of an industry that is already populous in nature. Synergy is a subtle and passive approach to “world domination” and globalization. It is a strategy that allows conglomerates to be multi-faceted in supply with the advantage of funneling resources back into the company. By spreading the risks through synergy, large corporations as well as indie labels, lower overall operational costs. Therefore, a higher profit margin as well as a more controlled contribution to media consumption is witnessed.
Globalization is an extension of synergy, and it could be termed as modern colonialism. According to UNESCO, there are four principle features of globalization :
1. Integration of world markets into national economies
2. Transition of “high volume economy” to “high value economy”
3. End of struggle between socialism and capitalism
4. Configuration on new trade blocs
However, globalization also causes an undesirable homogenization of cultures, leaning towards the Anglo-centric as English becomes the preferred language between the multinationals and the local businesses. The problem with the dominance of “anglo-american” music is that as other languages are pushed out due to the monopolization of conglomerates, a disrespectful disregard of the Other displaces traditional cultures.
Entertainment corporations seek to maximize copyright revenue by applying intellectual property laws to the use, reproduction and performance of recordings to the virtual world and undeveloped markets. Interestingly, a backlash from recognized musicians such as Radiohead is a perfect example of micro-synergy meets anti-establishment. Without alienating its fan base or snubbing MTV, Radiohead successfully launched an album online and communicates almost directly with its listeners, doing away with the management of a record company. Other bands such as Metallica are following suit .
While decentralization is crucial in ensuring an organic journey of the music industry, it ultimately lowers financial risks for businesses. The multilayered web of majors and minors reflects on the homogenized heterogeneity of globalization. Radiohead was able to pull off their independent launch online because the band gained previous exposure through EMI/Capitol. This shift to online ‘independence’ would surely mean that the majors would come sniffing around very soon, if they have not already.
Commercial originality: Does it exist?
With the homogenization of popular music, the struggle of its origins (rock) against hoi polloi remains fraught. Record companies influence music consumption to a great extent, through the conglomeration of media entities that includes radio and television stations, publishing houses as well as acquisitions of other ‘boutique’ companies.
This ‘Mcdonaldization’ of culture, as capitalism grows to be the No.1 religion of Western societies, created an oligopolistic industry that is far from the competition amongst 1950’s radio stations that had wanted to “capture the local market”. The role played by BMI when it protested against ASCAP’s market monopolization encapsulates the initial rebellious spirit of popular music. However, while the competition was relatively healthy in fostering new or expanded genres, it questions the cliché of “suffering for your art”.
However, the homogenized marketing of popular music has created an unsavory blandness in the music landscape, where one artist sounds, performs and looks like the other. The most commercially successful artists are not the ones that are most lauded for distinctly exceptional work in singing or song-writing but rather for their ‘entertainment value” and hype factor. Additionally, the stamping of a celebrity producer’s signature sound on an artist’s latest album has emphasized the role of ‘the celebrity’. This causes a recycling of musical genres that leads to smaller cycles of creativity akin to a coiling effect.
While music has often been used as a definition of a group or era, it parallels as a class separator. The emergence of popular music during the baby-boomer era demonstrated the alternative environments created as a form of escapism from their everyday post-war family values. However, a growing collective interest in the genre caused it to be widely accepted to the point that is not a valid expression of rebellion any longer. Therefore, while ‘alternative’ artists have often been accused of “selling out”, and being transformed into profit-making puppets of major record companies, one could question the consumers’ desire to intentionally be alienated so as to make sense of the idea of identity and existentialism within their personal sphere.
Kev’s “little red book of Chairman Mao”
Today in Parliament, the PM was bombarded by the Opposition in regards to the decision his team made on implementing a new tax on the guarantee of Australian deposit. Malcom Turnbull mocked Kevin Rudd and his cabinet, spouting quotes such as,
this control freak of a Prime Minister
the Prime Minister is well known for his cliches
So much for copying Asian Values
and
The Prime Minister’s little red book of Chairman Mao
Rudd fired back by reiterating the problems with “democracy” within Asia and defended his leadership amongst a rowdy Opposition,
we acted and we are proud of the action we took
he’s saying they are responding to mere hype
fear and anxiety are not a product of hype
We’re Socially Free!
With the US buying stakes in large financial institutions as an attempt to rescue the idea of a Free Market, one needs to question the method used that harks back to socialism.
Capitalism works when there is a one-way model of communication, where a top down approach reaps benefits that flow back into a central bank. With power shifts occurring due to hegemonic battles, capitalism fails in the ways it was meant to save. This exposes the idea of capitalism and the Free Market, as flimsy players on the world stage.
Will the US need to be rescued from its own doing?
Is China the saviour? http://news.bbc.co.uk/2/hi/asia-pacific/7671482.stm
Reverse terrorism? Renegade controllers manipulating air safety for a better life
In THE AGE today, the breaking news was about how a Qantas flight was jeapordised by the irresponsible acts of a group of traffic air controllers. The controllers are acting to push ahead their agenda “to an industrial campaign for big wage rises”.
While the Western world wage a war against terror, it has failed to observe how its very system expounds and encourages rebellion as a means to achieve goals. Additionally, this very version of proving a point is rewarded through the acceptance or awareness of organized protests.
How can the human race fight terrorism in countries far flung, strange and misunderstood, when the very acts of terrorism are happening within our familiar environments? While some renegades fight for the very survival of being able to walk down a street without the threat of being gunned down or for the right to practice and celebrate their humanistic differences, societies higher up the Maslow pyramid are displaying the most basic of flaws- greed, selfishness and sheer stupidity.
Une Théorie du Goût
Food, when taken to the ether realms of performance, produces an altruistic glow that emanates from the beginnings of the roots of the gut of the soul. It nourishes, not from the mouth down, but upwards, sideways, through, over and under.
For many recent years, Madrid has been the epicenter of La gastronomie moléculaire et physique. Sitting on top of the sugar hill is Ferran Adrià of El Bulli in Girona, who among his contemporaries such as Wylie Dufresne in New York and Heston Blumenthal in Bray-on-Thames, wonder and amaze beguiled diners-turn-actors who consume the heart of their memories, nightmares and desires with each dramatized piece of conception laid before them, with much thanks to French scientist, Hervé This.
A postmodern interpretation of food might, like a jack in a box, shock and surprise initially, but is there an anchor to the substance on this latest take on haute cuisine?
How does one promote without poisoning? While pioneers claim that “molecular gastronomy is dead”, are they simply expounding a postmodern cliché to ward off the copycat flies that swarm to replicate?
While nourishment shifts up Maslow’s pyramid in this movement, could it be possible that the juxtaposition presented by the dominance of concept create a vacuum too far removed from the reality of food?
“I mean, have you been to Brisbane?”
This was what was asked at the Protest 2AM lockout yesterday at Parliament House, Melbourne, amidst a jolly roar of laughter throughout the three thousand strong crowd.
The idea of the protest was circulated heavily a week prior to the thirtieth of May on FaceBook. It was organized as a retaliatory action against the Brumby government’s latest “Gen-X based decisions”.
The Gen X-ers have had their fun, now they want to tell us that we can’t just because of a few bad apples?
The protest started out with a gathering at Treasury Gardens at 5pm. Live techno music pumped the crowd and the crisp air wafted with the burning fats of grilled sausages. At 6.15pm, the crowd marched on Spring Street towards Parliament House chanting, “No Lockdown, No Lockdown!”
The evening ended peacefully, after a minute of silence in tribute to all who have lost their lives “from the lack of government support to Melbourne’s night life”, with the crowd slinking away into Melbourne’s magic maze of pubs, bars and clubs.



